IN RENAISSANCE THOUGHT AND CULTURE
This series explores the cultural forms, intellectual and religious traditions, and institutions of learning that shaped the Renaissance world, 1300–1700, always aiming for an interdisciplinary and, where possible and relevant, comparative and/or global approach. Potential topics include the histories and interactions of art, language(s), literature, music, philosophy, science and medicine, and religion. It publishes studies that present and sustain fresh views and categories: those, for instance, that recognize the co-existence in the period of Latin and the vernacular; that examine the relationship between Classical and Christian traditions; that evaluate the potential connections between social, cultural, and intellectual history; or that challenge established chronological boundaries.
Method of peer review
Double-blind undertaken by a specialist member of the Board or an external specialist.
Guy Carney Guy.Carney@brepols.net
Fields of interest
History, Art, Language(s), Literature, Music, Philosophy, Science and Medicine, and Religion
David Lines, Paul Botley,
Ingrid De Smet, University of Warwick
Alessio Cotugno, Ca’ Foscari University, Venice
Anthony Grafton, Princeton University
Sara Miglietti, Warburg Institute, University of London
Lawrence Principe, Johns Hopkins University
Mara Wade, University of Illinois-Urbana Champaign
New Book Series
Produced under the auspices of the Centre for the Study of the Renaissance, University of Warwick, this series welcomes proposals for monographs and thematically coherent essay collections, not text editions. Although the main language of publication is English, essay collections may also include essays in other western languages.
Questions or potential submissions can be directed to
Guy Carney (Publishing Manager, Guy.Carney@brepols.net) and/or David Lines (D.A.Lines@warwick.ac.uk).
Brepols Publishers’ general guidelines in English and a proposal formforauthorsandeditorsareavailableat: http://www.brepols.net/Pages/Getfile.aspx?dlfi=88
All volumes in this series are evaluated by an Editorial Board, strictly on academic grounds, based on reports prepared by referees who have been commissioned by virtue of their specialism in the appropriate field. The Board ensures that the screening is done independently and without conflicts of interest. The definitive texts suppliedbyauthorsarealsosubjecttoreviewbytheBoard before beingapprovedforpublication.
Why Publish with Brepols ?
- Authors work closely with and benefit from the expertiseof theEditorialBoard.
- Comprehensive peer review ensures books published with Brepolshaveareputationforhigh-quality scholarship.
- Continuity of care – authors work with the same publishing managerthroughoutthepublication process.
- We offer comprehensive copyediting by experienced editors withabackgroundinClassical,MedievalorEarly Modern Studies.
- All volumes published with Brepols are distributed and marketedworldwide.
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