Renaissance Impressions

Renaissance Impressions: Sixteenth-Century Master Prints from the Kirk Edward Long Collection

 

Bernard Barryte (dir.)

 

Renaissance Impressions: Sixteenth-Century Master Prints from the Kirk Edward Long Collection presents a rich survey of the first golden age of European printmaking and reveals important artistic and cultural innovations spurred by the proliferation of etchings, engravings, and woodcuts. Featuring many of the era’s most extraordinary and influential prints, Renaissance Impressions includes examples in all graphic media from Europe’s major printmaking centers, which distributed images by the period’s greatest artists, among them, Michelangelo, Raphael, and Titian. Through absorbing thematic essays and lively entries on more than eighty prints by master printmakers including Albrecht Dürer, Marcantonio Raimondi, and Hendrick Goltzius, this lavishly illustrated catalogue explores the pivotal role that prints played in shaping visual culture throughout Europe during the Renaissance.

SOMMAIRE

Foreword
Pauline Willis, Director and CEO, American Federation of Arts

Making, Publishing, and Collecting: The Kirk Edward Long Collection in Context
Bernard Barryte

Copying, Collaborating, and Competing: Prints and the Renaissance Artist
Sharon Gregory

A Concise Geography of Print: Accounting for Stylistic Transmission in Sixteenth-Century Europe
Arthur J. DiFuria

Mysteries and Meanings: Esoteric and Enigmatic Prints in the Renaissance
Jamie Gabbarelli

Catalogue
Bernard Barryte

Glossary
Bibliography
Acknowledgments
Contributors
Index

Détails vers le site de l’éditeur, Silvana Editoriale.